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Mostrar mensagens com a etiqueta The Queen Is Dead. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta The Queen Is Dead. Mostrar todas as mensagens

quarta-feira, 20 de janeiro de 2021

The Smiths - Frankly, Mr Shankly


Frankly, Mr. Shankly, this position I've held
It pays my way and it corrodes my soul
I want to leave you will not miss me
I want to go down in musical history

Frankly, Mr. Shankly, I'm a sickening wreck
I've got the 21st century breathing down my neck
I must move fast, you understand me
I want to go down in celluloid history Mr. Shankly

Fame, fame, fatal fame
It can play hideous tricks on the brain
But still I'd rather be famous
Than righteous or holy, any day, any day, any day

But sometimes I'd feel more fulfilled
Making Christmas cards with the mentally ill
I want to live and I want to love
I want to catch something that I might be ashamed of

Frankly, Mr. Shankly, this position I've held
It pays my way and it corrodes my soul
Oh, I didn't realise that you wrote poetry
I didn't realise you wrote such bloody awful poetry Mr. Shankly

Frankly, Mr. Shankly, since you ask
You are a flatulent pain in the arse
I do not mean to be so rude
Still, I must speak frankly, Mr. Shankly
Oh, give us money!

quarta-feira, 25 de julho de 2018

The Smiths - Vicar In A Tutu



I was minding my business
Lifting some lead off
The roof of the Holy Name church
It was worthwhile living a laughable life
To set my eyes on the blistering sight
Of a Vicar in a tutu
He's not strange
He just wants to live his life this way

A scanty bit of a thing
With a decorative ring
That wouldn't cover the head of a goose
As Rose collects the money in a canister
Who comes sliding down the banister?
The Vicar in a tutu
He's not strange
He just wants to live his life this way

The monkish monsignor
With a head full of plaster
Said : "My man, get your vile soul dry-cleaned"
As Rose counts the money in the canister
As natural as rain
He dances again
My God!
The Vicar in a tutu
Oh yeah
Oh yeah, yeah, yeah, yeah, yeah
Oh...

The Vicar in a tutu
Oh yeah
Oh...

The next day in the pulpit
With freedom and ease
Combatting ignorance, dust, and disease
As Rose counts the money in the canister
As natural as rain
He dances again and again and again

In the fabric of a tutu
Any man could get used to
And I am the living sign
And I'm a living sign
I am a living sign
I'm a living sign
I am a living sign
I'm a living sign
Sign
I am a living sign

domingo, 29 de março de 2015

The Smiths - Some Girls Are Bigger Than Others



From the ice-age to the dole-age
There is but one concern
I have just discovered:

Some girls are bigger than others
Some girls are bigger than others
Some girl's mothers are bigger than
Other girl's mothers

Some girls are bigger than others
Some girls are bigger than others
Some girl's mothers are bigger than
Other girl's mothers

As Anthony said to Cleopatra
As he opened a crate of ale:

Oh, I say:
Some girls are bigger than others
Some girls are bigger than others
Some girl's mothers are bigger than
Other girl's mothers

Some girls are bigger than others
Some girls are bigger than others
Some girl's mothers are bigger than
Other girl's mothers

Send me the pillow...
The one that you dream on...
Send me the pillow...
The one that you dream on...
And I'll send you mine

terça-feira, 24 de junho de 2014

The Smiths - Cemetry Gates



A dreaded sunny day
So I meet you at the cemetery gates
Keats and Yeats are on your side

A dreaded sunny day
So I meet you at the cemetery gates
Keats and Yeats are on your side
While Wilde is on mine

So we go inside and we gravely read the stones
All those people all those lives
Where are they now?
With the loves and hates
And passions just like mine
They were born
And then they lived and then they died
Seems so unfair
And I want to cry

You say: "ere thrice the sun done salutation to the dawn"
And you claim these words as your own
But I've read well, and I've heard them said
A hundred times, maybe less, maybe more

If you must write prose and poems
The words you use should be your own
Don't plagiarise or take "on loans"
There's always someone, somewhere
With a big nose, who knows
And who trips you up and laughs
When you fall
Who'll trip you up and laugh
When you fall

You say: "ere long done do does did"
Words which could only be your own
And then you then produce the text
From whence was ripped some dizzy whore, 1804

A dreaded sunny day
So let's go where we're happy
And I meet you at the cemetery gates
Oh Keats and Yeats are on your side

A dreaded sunny day
So let's go where we're wanted
And I meet you at the cemetery gates
Keats and Yeats are on your side
But you lose because Wilde is on mine

sexta-feira, 2 de dezembro de 2011

The Smiths - Bigmouth Strikes Again



Sweetness, sweetness I was only joking
When I said I'd like to smash every tooth
In your head

Oh ... sweetness, sweetness, I was only joking
When I said by rights you should be
Bludgeoned in your bed

And now I know how Joan of Arc felt
Now I know how Joan of Arc felt
As the flames rose to her roman nose
And her Walkman started to melt
Oh ...

Bigmouth, la ... bigmouth, la ...
Bigmouth strikes again
And I've got no right to take my place
With the Human race

Oh, bigmouth, la ... bigmouth, la
Bigmouth strikes again
And I've got no right to take my place
With the Human race

And now I know how Joan of Arc felt
Now I know how Joan of Arc felt
As the flames rose to her roman nose
And her hearing aid started to melt

Bigmouth, la ... bigmouth, la ...
Bigmouth strikes again
And I've got no right to take my place
With the Human race
Oh ...

Bigmouth, oh ... bigmouth, la ...
Bigmouth strikes again
And I've got no right to take my place
With the Human race
Oh ...

Bigmouth, oh ... bigmouth, la ...
Bigmouth strikes again
And I've got no right to take my place
With the Human race
Oh ...

Bigmouth, oh ... bigmouth, la ...
Bigmouth strikes again
And I've got no right to take my place
With the Human race
Oh ...

sábado, 28 de maio de 2011

The Smiths - There Is A Light That Never Goes Out



Take me out tonight
Where there's music and there's people
And they're young and alive
Driving in your car
I never never want to go home
Because I haven't got one
Anymore

Take me out tonight
Because I want to see people and I
Want to see life
Driving in your car
Oh, please don't drop me home
Because it's not my home, it's their
Home, and I'm welcome no more

And if a double-decker bus
Crashes into us
To die by your side
Is such a heavenly way to die
And if a ten-ton truck
Kills the both of us
To die by your side
Well, the pleasure - the privilege is mine

Take me out tonight
Take me anywhere, I don't care
I don't care, I don't care
And in the darkened underpass
I thought Oh God, my chance has come at last
(But then a strange fear gripped me and I
Just couldn't ask)

Take me out tonight
Oh, take me anywhere, I don't care
I don't care, I don't care
Driving in your car
I never never want to go home
Because I haven't got one, da ...
Oh, I haven't got one

And if a double-decker bus
Crashes into us
To die by your side
Is such a heavenly way to die
And if a ten-ton truck
Kills the both of us
To die by your side
Well, the pleasure - the privilege is mine

Oh, There is a light that never goes out
There is a light that never goes out
There is a light that never goes out
There is a light that never goes out

terça-feira, 19 de janeiro de 2010

The Smiths - The Boy With The Thorn In His Side



The boy with the thorn in his side
Behind the hatred there lies
A murderous desire for love
How can they look into my eyes
And still they don't believe me ?
How can they hear me say those words
Still they don't believe me?
And if they don't believe me now
Will they ever believe me?
And if they don't believe me now
Will they ever, they ever, believe me?
Oh ...

The boy with the thorn in his side
Behind the hatred there lies
A plundering desire for love
How can they see the Love in our eyes
And still they don't believe us?
And after all this time
They don't want to believe us
And if they don't believe us now
Will they ever believe us?
And when you want to Live
How do you start?
Where do you go?
Who do you need to know?